Performances in N.Y.C. Advertisement Supported by For several years, the composer Matthew Aucoin corresponded with Sarah Ruhl about how to adapt her play into the Met Opera’s latest premiere. By ...
The beloved myth of Orpheus and Eurydice was retold in Mitchell Theatre with “Eurydice.” Sarah Ruhl’s 2003 play hit the ...
Eurydice (Sydney Mancasola) arrives in the underworld in Boston Lyric Opera's production of "Eurydice." (Courtesy Nile Scott Studios) Memory is a delicate thing. Some of our recollections are so ...
The myth of Orpheus and Eurydice has inspired operas from the beginning of the art form, more than 400 years ago. Tonight, the Metropolitan Opera in New York City plays host to a new iteration: ...
In 2016, Los Angeles Opera offered a three-year appointment to Matthew Aucoin as the company’s first composer in residence. A Harvard graduate, he arrived in LA at the age of 26 already hailed as one ...
In Santa Clara University’s production of Sarah Ruhl’s “Eurydice” (2003), all Eurydice ever wants to do is think about language and how it opens up new worlds. While Orpheus has his head in the clouds ...
Why are we asking for donations? Why are we asking for donations? This site is free thanks to our community of supporters. Voluntary donations from readers like you keep our news accessible for ...
In Sarah Ruhl’s topsy-turvy plays, characters are constantly struggling to figure out the world and their place in it. A maid neglects her duties while trying to come up with the perfect joke in “The ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results