Pier Paolo Pasolini’s Salò, or the 120 Days of Sodom is turning 50. One of cinema’s most notorious films, Salò continues to be approached with trepidation – if approached at all. Adapted from the ...
Only John Waters could pull off emceeing a New York Film Festival double feature of Gaspar Noé’s abrasive acid trip “Climax” and Pier Paolo Pasolini’s harrowing art-meets-exploitation, anti-fascist ...
When people hear the name Pasolini, if they recognize it at all, it's primarily due to two references: one, his brutal murder by a male prostitute (and perhaps a criminal syndicate group) or his later ...
“Pasolini” is not a biopic of the late Italian filmmaker Pier Paolo Pasolini (played here by Willem Dafoe). The complicated director of “The Gospel According to St. Matthew,” “Teorema” and “Salo, or ...
A scene from Pier Paolo Pasolini's "Salò, or the 120 Days of Sodom." (Zebra Photofest) "120 Days of Sodom," the rapacious weave of sexual excess and debauchery penned by Marquis de Sade in the late ...
Alan K is The Next Famous Movie Monster & This is Their Origin Story. Alan K has over a decade of journalism experience with a focus on horror, LGBTQ+ and entertainment. They have contributed to ...
Salò, or the 120 days of Sodom (1975) was the last film Pier Paolo Pasolini ever made and the first Pasolini film I ever saw. I approached Salò several years ago in almost total ignorance, having read ...
'70s Week: Waters talks the shocking Italian classic "that people were insane from" and how Pasolini's horrific, anti-fascist vision figures into his own art-meets-exploitation-film aesthetic. (As ...
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