Mayhem’s strong first half thankfully makes most of its derivative tendencies go down easy, especially with the help of Andrew Watt, Cirkut and Gessaffelstein’s decadent co-production.

These are thin movies with not much on their minds, no matter how many half-baked gestures this one makes toward critiquing the ethics of true crime content creation—most of which land muddled.

In over 15 years of half-speed mastering, Abbey Road engineer Miles Showell has mastered the art of creating the finest audio-quality vinyl pressings available, with his specialist work creating ...