Described as the “master conjurer of the instantly familiar,” Scher straddles the line between pop culture and fine art in her work. Iconic, smart, and accessible, her images have entered into the American vernacular. Scher has been a partner in the New York office of Pentagram since 1991.

Michael was elected to the Alliance Graphique Internationale in 1989, installed in the Art Directors Club Hall of Fame in 2003, and awarded the profession’s highest honor, the AIGA Medal, in 2006. In 2008, he was named winner in the Design Mind category of …

Visual identity and naming strategy for the largest and most comprehensive digital collection of Britain’s publicly owned art.

His work is in the permanent collection of the Museum of Modern Art and has appeared in publications such as Wired, Fast Company, Creative Review, Archis, Surface and Graphis. Opara is a senior critic at the Yale University School of Art.

Oct 19, 2011 · Eddie Opara and team design a new visual identity and custom typography for the art museum in Omaha, Nebraska.

Jan 23, 2024 · Born in Taipei, Taiwan, she joined Pentagram’s New York office in 2012. A six-time National Design Award nominee, Natasha’s work is recognized for its innovative use of graphic, verbal, digital, and spatial interventions that challenge conventional notions …

View our work, which spans visual identities, architecture, interiors, products, publications, posters, books, exhibitions, websites and digital installations.

A collaboration between Pentagram, Cass Art and Bags of Ethics that sets out to reinvent the humble tote bag. Making its debut at Cromwell Place as part of the London Design Festival, Bags of Art & Design includes 12 unique tote bag designs with bespoke pocket designs and artworks.

Pentagram has drawn upon their vast experience in designing for the arts and culture sector, to create a space that’s filled with subtle and not-so-subtle Kubrick references. Learn more about the project

The new system designed by Pentagram and Hoffmann employs prominent use of the MoMA logo as a graphic device, dramatic cropping and juxtapositions of artwork, and a brighter color palette to create a bold, contemporary image.